Elements of Shakespeare Romances
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Typy Shakespearových Hier
Od Rebeccy Ray a Kristy Littlehale
Bez ohľadu na to, čo boli pomenované, hry Williama Shakespeara by boli stále skvelými umeleckými dielami, takže nemusí byť jedno, čo ich nazývame. Všeobecne však Shakespeare napísal tri typy hier: tragédiu, komédiu a históriu. Tieto mená nám pomáhajú pochopiť archetypy hry a lepšie analyzovať jej udalosti. Koniec koncov, komédia Romea a Julie by bola veľmi odlišná hra od tragédie Romea a Julie. Možno by to bola fraška dvoch milovníkov hviezd, ktorí sú odsúdení na to, že budú trpieť vtipnými chybami identity a prehnanými sluhami. Nebolo by to príbeh bielej, s ktorou sme všetci tak oboznámení.
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Elements of Shakespeare Romances | Shakespeare's Tragicomedies
Text z Príbehu
- Shakespearean Romances
- Shakespeare's Romances are characterized by: A conflict that gets resolved A central older male figure of noble descent A love interest Elements of the Supernatural Themes on a Grand Scale
- Conflict Begins the Play / Resolved by the End
- Central Older Male Figure of Nobility
- Examples from The Tempest by William Shakespeare
- Love Interest
- On the way home from Alonso's daughter's wedding, a storm strikes their ship and shipwrecks Alonso, Ferdinand, Antonio, Gonzalo, Stephano, Trinculo, and Sebastian on an island. The men are split up, and Alonso thinks Ferdinand is dead.
- Elements of the Supernatural
- Prospero, Antonio, and Alonso. Prospero was the Duke of Milan before his brother Antonio (in a plot with Alonso, the King of Naples) usurped his throne and forced him to flee.
- Themes on a Grander Scale
- Miranda, Prospero's daughter, and Ferdinand run into each other on the island, and they instantly fall for one another. This is part of Prospero's plot to take back his rightful place as Duke of Milan.
- Prospero has been studying sorcery for the 12 years he's been exiled. He causes the tempest to bring the boat with his brothers to the island. Ariel turns himself into a sea nymph and controls some of the men with music.
- While Prospero regains his throne, the theme of the play looks at restoration and forgiveness on a grander scale. If Prospero can forgive his brother's treachery, surely it is possible for real people to do the same. In doing so, both peace and stability are rewards for forgiveness. Instead of pursuing pure revenge, Prospero curbs his bloodlust and still regains his power.
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